December 19, 2007

AUDIO: Tips on How to Take Better Holiday Pictures - Comments (6)

Smile!A couple weeks ago I was a guest on CBC’s On The Coast talking about photography and how to take better family photos over the holidays. It was a fun interview with JJ Lee who is a fashion and design columnist for CBC Radio One. Every Monday you can hear JJ On The Coast. OTC airs between 3-6 PM on AM 690 in Vancouver. JJ also writes for the Georgia Straight about fashion.

From JJ’s blog

Fashion photographer Kris Krug, just back from China Fashion Week, took the time to give some pointers on how to make your snapshots works of art… Follow these tips and you’ll have holiday photographs worth posting!”

Listen to the segment here…

Thanks JJ and happy holidays! :)

PS. Thx to Vancouver photographer Fiona Garden for the hookup. *squish*

October 25, 2007

Facebook Launches Facebook Applications (F8) Comments Off

Here’s a Google Video of me talking about Facebook Apps on TV on the Lab with Leo show. I really like doing these kind of ‘expert’ segments. It’s fun and I meet a lot of awesome people. I think I’m going to pull a page together on this site that makes it easy for people looking for guests and experts to familiarize themselves with the types of things I can talk about and demonstrate. Today, Lab with Leo… tomorrow ???

Show description “(President, Bryght): Kris shows off some Facebook applications. Talks about opening up their API to third party developers, allowing them to launch their tools.”

October 1, 2007

Talking About Bryght on the Lab with Leo Comments Off

Here’s a recent segment of the The Lab with Leo show of me talking about Bryght. We cover Drupal, open source software, and our recently launched work on the Grateful Dead’s online community website. I’ve done 3 other segmants that haven’t aired yet and am scheduled to be in the studio to film 2 more this week including on our our new FreeTheNet.ca project.

July 24, 2006

George Oates from Flickr Comments Off

Check out this quick interview with George from Flickr at the Vancouver International Digital Festival on Granville Island. I think if you absolutely forced me to pick a favorite Flickr peep…. I’d have to go with George. :)

August 1, 2005

OSCON - PDX Comments Off

I’m in Portland for O’Reilly’s Open Source Conference with Boris, Roland, Richard, Adrian, James, Colin and Lance of Bryght. I’m really excited to meet a bunch of people face to face who I only worked with virtually… especially some of the peeps over at Civic Space Labs, Drupal.org, and the Flockers.

We’re going to be providing some free Bryght/Drupal training this week on basic site configuration and setup as well as some more advanced themeing and multi-site implementation tutorials. Get in touch if you’re in the area and we’ll work with you to find a time.

I’m also going to try to attend a bunch of sessions and bone up some things I’ve been very interested lately including Ruby. I also hope to take a bunch of photos and I’ll probably submit a few to the HP OSCON photo contest since they made it so easy to do via Flickr.

Thats all for now… I’m going to go catch a little retail therapy at the vintage shops in The Pearl. The no sales tax in PDX thing can be dangerous.

July 8, 2005

Boris Mann Speaks Geek to Michelle Mill of Global TV Comments Off

Boris Speaks Geek to Global TVMichelle Miller and her crew from Global TV swung by the Bryght office today to talk to Boris Mann about citizen journalism, blogging, podcasting, and web 2.0. He totally nailed it, walking them through the power of distributed hyper-local newsmakers and used the coverage of the London Bombings as an example. He showed them Flickr, Technorati, and NowPublic. You can read Boris‘ post about it over here at his personal site. The segment will air tonight on BCTV and 6pm and 11pm and then again tommorow on the morning news. Let us know if you see it or can record it… none of us have TVs. :)

April 28, 2005

Dan ‘Mobius’ Sieradski Interview Comments Off

Who is Dan? Who is Mobius? You have any other personas we should know about?

Dan and Mobius are interchangable and indistinguishable. Mobius is more or less my stagename. I perform as a DJ and MC and post on the Internet under that alias. I also go by MC Lion Lung and Stinky Wizzleteats on rare occassions.

Dan 'Mobius' Sieradski Interview

Where do you live? How did you end up there?

I currently live in Jerusalem. How I wound up here is a kind of long a complicated story.

I was raised in a modern Orthodox Jewish home until around the age of nine when various determining factors brought my parents to the conclusion that Orthodoxy was no longer their bag. At that point I was placed into public school and had little if any relationship with Judaism up until my bar miztvah, which more or less sealed the coffin shut. In high school I started getting heavy into Buddhism and other schools of eastern mysticism. In my explorations I discovered a guru named Bhagavan Das and came to the conclusion that he’d be my guru and I his initiate and thus sought after this character, in the end coming up short in my quest. Two weeks into my first semester in college, though, guess who came strolling into town?

I went and spent two days in a yoga workshop with Bhagavan Das, but at the end of the workshop approached him: “I grew up in a Jewish home and am very uncomfortable with visualizing and intoning the names of different gods. I really dig this stuff, but I just can’t get past the idolatry.” And he replied, “So go be Jewish. It’s the same exact thing, just a different symbol set.” That was Yom Kippur 1998.

A couple of months later, while working with Students For A Free Tibet I was offered an opportunity to meet the Dalai Lama. After meeting him, I ran into my high school teacher who was my philosophy club advisor, and he said, “Dan, you met the Buddha! You can die now!” And that pretty much ended my exploration into Buddhism.

April 27, 2005

Conversation with Vancouver 2010 Logo Designer, Gonzalo Alatorre Comments Off

I also posted this on another blog that I write, 2010.dailyvancouver.com.

If you only read the newspapers and watched the news you may have thought that the 2010 Vancouver Olympics logo was developed solely by Elena Rivera MacGregor, owner and principle of Rivera Design Group who was mentioned several times as the logo’s designer in mainstream coverage of the launch. Today, I had a chance to talk with Gonzalo Alatorre currently of Evolutionary Images and Advertising about his role in the process of developing Ilanaaq, the emblem for the upcoming 2010 Olympic.

Official documents listed Alatorre as the designer, who was an employee of Rivera Design Group at the time of the logo’s development. However, in the days since Imagine 2010 and the logo launch most media outlets have focused their attention on Rivera MacGregor. In fact I’ve seen several whole articles that don’t even mention Alatore’s name. I called Alatorre today to find out what his role in the project was and how he felt about the media’s focus on Elena Rivera as the creator of the emblem.

Vancouver 2010 Olympics Logo Designer Gonzalo Alatorre

Gonzalo told me that the concept for the emblem was ‘independently developed’ by both Alatorre and Rivera simultaneously. Alatorre started with some mockups that he ran by Elena who was working with him on the project in the role of Project Manager and Creative Director. Alatorre’s idea was to create an identity that was representative of his experience as an immigrant to Canada with a specific focus on the first few years as he was learning the culture and people. He used the words warm and welcoming to describe the people and attempted to capture that spirit in his work.

He reviewed the designs with Rivera and she said that in principal they synced up with some thoughts she had been working on too and wanted to see if he could work some Haida elements and style into the concepts. Alatorre recalled that specific references to tribes and cultures such as the Haida were prohibited for some reason by the rules of the VANOC emblem design contest and after exploring design in that direction decided not to go that route.

”The media focus on Elena as the designer caught me by surprise. I was not very pleased that the media seemed to be ignoring my name. Especially in the first 3 days after Imagine 2010. But I’ve talked (with her) about it and she’s assured me she’s mentioning my name whenever she has conversations about the design and the process. It’s difficult to control the way the media and press tell a story and I was definitely a little surprised. But I get proper credit because I get to put the work in my portfolio and at the end of the day the people who matter know that I did it. It has become a bit of negative experience since the launch, but the process of developing the logo and having a shot at designing the Olympic logo and winning makes it a good experience and worth it.”

UPDATED: I just got a call from Gonzalo who saw this article today and got in touch to with me to say thanks and to let me know I got one thing wrong. It wasn’t the VANOC rules that prevented the the integration of Haida influence and style into Alatorre’s original concepts, but instead tribal rules that prohibit those who are not of Haida ancestry from working with the sacred Haida designs and symbols. Thanks Gonzalo for the correction, it’s been great talking to you and getting to know you through the process of pulling this together, and I wish you the best!

April 23, 2005

Event Blogging EAT! Vancouver 2005 w/ Roland for VanEats.com Comments Off

EAT! Vancouver 2005 - Food and Resturant Show at BC PlaceRoland and I headed out of the office a little early yesterday to cover the EAT! Vancouver 2005 food festival at BC Place for Roland and Barb’s cool vancouver food blog, VanEats.com. It was fun, and really YUMMY! I left really full and a little bit tipsy. *blush* We did about 8 podcasts and I took a bunch of photos. Here’s the links to the Mp3 files you can listen to and some of the shots. I may head back there today or tommorow to pick up some more interviews, I missed a couple people I was hoping to get to talk to. Thanks Roland. Was a ton of fun. We were a great team… will be fun to do more of this stuff. :)

Pre-Show Podcast - 1st VanEats Podcast
Doug Peat - Union Gospel Mission
Barry Benson - R and B Brewing Company
Alexander Kolterer - 19A Wine Company Ltd
Dan Emerson - Green Coffee
Danielle - Garnish Girls
Mark Mudahy - Mr. Marks Caribbean Foods
Anne Garber - Evalu8.org

EAT! Vancouver 2005 - Food and Resturant Show at BC Place
One of the best things I ate. East Indian Donuts.

EAT! Vancouver 2005 - Food and Resturant Show at BC Place
This guy makes one ’snake’ of dough into one big ole long (but very fine) noodle. He was captivating to watch.

EAT! Vancouver 2005 - Food and Resturant Show at BC Place
All the money brought in from the Bits and Bites plates went to Union Gospel Mission (feeds hungry people).

EAT! Vancouver 2005 - Food and Resturant Show at BC Place
Greek beef for gyros turning on the spit. 150lbs!!!

EAT! Vancouver 2005 - Food and Resturant Show at BC Place
Doing my best to capture the pace of things in the kitchen during the chefs competition.

EAT! Vancouver 2005 - Food and Resturant Show at BC Place
*hic* They had a nice little beer and wine pavillion too.

EAT! Vancouver 2005 - Food and Resturant Show at BC Place

April 20, 2005

Douglas Rushkoff Interview - “Get Back in the Box” Comments Off

Douglas Rushkoff InterviewDouglas Rushkoff has been a longtime hero and inspiration to me. He is a writer, professor, and ‘ultra-hip‘ cultural quasi-sage who I first read in college and have known online for 7 or 8 years now since the *spark-online days. Here’s his fancy bio from his site.

“His ten best-selling books on new media and popular culture have been translated to over thirty languages. They include Cyberia, Media Virus, Playing the Future, Nothing Sacred: The Truth about Judaism, and Coercion, winner of the Marshall Mcluhan Award for best media book. Rushkoff also wrote the acclaimed novels Ecstasy Club and Exit Strategy and graphic novel, Club Zero-G. He is currently at work on a book for HarperBusiness, applying renaissance principles to today’s complex economic landscape, Get Back in the Box: Innovation from the Inside Out. ”

He just wrapped-up the writing of his latest book, “Get Back in the Box“, and I had a chance to ask him a few question about what he’s thinking about these days. Thanks so much Douglas… I look forward to reading your book and thanks for helping me get my head around these new ideas.

So you just finished up your most recent book, “Get Back in the Box”. What’s it about?

In the most surface sense, it’s about how to innovate from the inside out
rather than the outside in. It’s aimed at business people and anyone engaged
in an enterprise. Too many of them tend to think they need to get “outside
the box” in order to make new strides, when in more cases than we might
suspect, real innovation comes from developing a true core competency and
then working out from there. No one seems to have faith in what it is
they’re doing, and they are scared to learn the codes underlying the
processes they’re using. As if everything will fall apart.

On a deeper level, the book is about renaissance, and the unique moment
we’re in as a society. A renaissance allows for a profound shift in
perspective. While the original Renaissance invented the individual, as well
as competition, this renaissance has really brought us new possibilities for
collaborative action - networked collectivism and a society of authorship.
We’ve been wrestling since the Renaissance - and some would say since high
Greek culture - with the seeming contradiction between the agency of
individuals and their power as a collective. I mean to show that we have new
ways of contending with dimension that let us see how individuality is
itself defined by connections to other people, and that agency is really a
group activity.

How did we get to this unique moment? What factors have made this age so special? Are you talking purely technology here?

Well, it’s a combination of things. Technology is a big part of it, sure. We’ve been using technology in basically one way since the original Renaissance: to allow for command and control. Everything from the steam engine to Ford’s assembly lines helped reinforce a mechanistic model where a manager controls machinery – or people through machinery.

Networking changed things, and allowed complexity to emerge through technology instead of simply being quelled all the time.

But other changes abound. The original Renaissance brought us perspective painting, the extended metaphor, calculus, circumnavigation of the globe, and the printing press. Our renaissance brings hypertext, chaos math, orbiting the globe, and the internet. We’re experiencing a shift in our ability to contend with dimension that is profound as the shift experienced back in the 1500’s. And the same kind of shift is happening across all the disciplines, not just technology. In fact, it’s rupturing the notion of separated disciplines, itself.

How will this Renaissance change how we understand ourselves and our place in society?

I think the “renaissance man” is obsolete. There’s only collectives. The individual – which was actually invented during the Renaissance, and then celebrated during the Enlightenment – no longer exists. At least not in isolation. The individual is defined by his or her connections. We are our connection to other people. And the failed experiments of the 20th Century, in collective action, give way to a much more emergent sense of group cohesion.

Who did you work with while writing and researching this book?

Well, I had some interns doing research for me - students from the
Interactive Telecommunications Program at NYU. But I guess I did the writing
alone. Books kind of work that way. The ideas are the culmination of the
work and play I’ve been doing for the past ten years with hackers, cultural
change agents, non-profit organizations, religious groups, and businesses.

How do you think business and corporations will receive your ideas? Do you really think they will really be able to cast old models aside and get their heads around the concepts surrounding collaboration? After all, the real players have much more of a vested interest in maintaining the status quo than in innovation.

I think they’re ready to be told what I have to tell them. I think they’ll
find it a great relief that they can quit searching. They don’t need to hire
any more consultants, or get any more involved in the world of investment
capital and stock markets. They can instead take delight in what they’re
actually doing, rather than their quarterly report. And they’ll ultimately
make more money and have more fun.

The “real players,” as you put it, are not those market-addicted suits
writing shareholder reports and cashing in options. The real players are the
people who have figured out how to provide that people really need, and who
have a great time doing it.

I’m asking these people to abandon the Industrial Age models that require
massive oversimplification and reduction of human beings to mere cogs. I’m
asking they stop looking at their customers and clients as “consumers” to be
manipulated. And, believe me, if a person has an iota of comfort doing the
thing they say they are doing, they’ll jump at the chance to let go of the
anxiety and misery of meeting Powerpoint objectives.

Douglas Rushkoff InterviewWhat do copyright and intellectual property look like in this new collaborative model? How do those notions fit in and how will they evolve? How will the institutions and precedents that are currently in place help or hinder this cultural transformation?

I’m not that concerned with maintaining copyright, since my main income comes from teaching and speaking. The books are more like calling cards. Still, the distribution system is paid for, at least in part, by the copyright protection enjoyed by publishers. I think people have to learn to get paid in other ways. I’m more interested in bottom-up local currencies than these giant centralized ones.

Currently, we innovate for patents, and create for copyrights. These are the only ways we have come up with so far to reward innovation. And it eventually requires that some form of artificial protection be enforced. That’s because we have an economic reality based on scarcity rather than abundance.

The problem is that we look at books and music the same way we look at oil and food. They are very different, and require different economic models. So the first step is simply to help people see that the fiscal model we’re using – money ‘created’ by the central bank – is itself only one model for currency. It is an enforced monopoly right now, because the development of local currencies would pose such a challenge to forces from Wal-Mart to Citibank.

That sounds utopian and wonderful, but what do businesses have to gain from collaboration and throwing out the models they have used to reap huge and ever-increasing profits? How are they going to make more money and have more fun ditching quarterly reporting and corporate objectives?

It’s the adherence to quarterly, short-term goals and shareholder expectations that have led corporations down their profitless, innovation-lacking paths. They look to decrease the bottom line without expanding the top line. So they can’t make investments in long term strategies like real research and development, or creating a culture for their products. They can’t look to the longterm impact of their products without sacrificing what shareholders believe are their own short-term interests. Shareholders want the stock to go up, now. That’s all they understand. And the stock only goes up if revenues go up that quarter.

Where your question is off is that corporations are not reaping huge and ever-increasing profits. They are compensating for a lack of innovation by creating new efficiencies. But every process they throw off-shore is another competency removed from their own arsenal. They become management companies, capable of nothing. Then they lose their ‘competitive’ advantage, as well.

March 10, 2004

*Desktop Love - New Site by Designer, Hood-Rat, Luminary, Bartender, Artist and Friend Jeremy Crowle Comments Off

Designer, hood-rat, luminary, bartender, artist, and friend… Jeremy Crowle has launched a new personal site called *desktop love. Check out his ramblings and his art, and if your in the Vansterdam any time soon be sure to look him up.

He’s got me thinking about the concept of living a fraglie lifestyle… which he describes as… “Its sort of a nickname for a new way of living. The composition of your envirnoment, and the fact that nothing ever gets fixed unless its broken. Its good to be broken, and open to the friction of another rock beside you.” w0rd!!

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